Star Wars & The TSO

You’ve probably read the title of this post and thought: “Whhaaaaa??”. It’s an unlikely combo at first glance: the film Star Wars: A New Hope coupled with the TSO (Toronto Symphony Orchestra). Not so weird actually.

What a brilliant idea. Over the span of the next couple of years the Toronto Symphony Orchestra is performing the John Williams-composed Star Wars soundtracks live while the movies are projected larger than life in the background. These concerts take place in the still-somewhat-elegant Roy Thomson Hall.

Starting with the 1997 re-release versions of the “original three” (as I like to call them), the first concert up is Star Wars: A New Hope; this is the production we went to last night. It was fantastic to hear that amazing John Williams soundtrack *really* brought to life by the TSO.

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You don’t realize how much music, both prominent and incidental, there actually is in a Star Wars film; this concert really brought the music to the forefront. The TSO were absolutely superb and every musical detail was faithful to the original motion picture soundtrack (except the “Cantina” scene in the Mos Eisley bar – the filmed version was played here). Sarah Hicks did a brilliant job conducting the orchestra, who played to an absolutely packed and very enthusiastic house. No less than three encores were called after the performance/film completed.

Here’s a few shots from last night’s performance. These were taken before the performance began and during the 15-minute intermission at the movie’s halfway point:

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The audience during Intermission

Performance Schedule

Star Wars: A New Hope played on the nights of January 23, 24, 25, 26, 2019. The rest of the Star Wars Film Concert Series is scheduled as follows:

Star Wars: The Empire Strikes Back – March 20, 21, 22, 23, 2019
Star Wars: Return of the Jedi – October 2, 3, 4, 5, 2019
Star Wars: The Force Awakens – May 6, 7, 8, 9, 2020

I’m sure more are to follow as time goes by, and I can hardly wait.

– Very well done, TSO and Sarah Hicks! –

SARStock / Toronto Rocks

There were two memorable events in Toronto during the summer of 2003: one was the massive power blackout covering most of northeast North America and the other was SARStock.

Crowd shot

Held on July 30, 2003 at Downsview Park (previously a former military air base in the north end of the city), the event was a gigantic, marathon rock concert to benefit Toronto’s economy and help it recover from the SARS epidemic. The concert was organized in about a month upon the suggestion of concert headliners The Rolling Stones. The Stones, by the way, love Toronto – they have played in our city many times and, utilizing small clubs like the Phoenix or the Palais Royale, they frequently practice and perform here prior to setting off on their major tours. Toronto has some not-so-fond memories, though, for Keith Richards; this is where he got busted, tried and sentenced for heroin possession way back in early 1977.

This massive concert in Downsview Park went by many names – Toronto Rocks, Stars 4 SARSMolson Canadian Rocks for Toronto, SARSfest, SARS-a-palooza, the SARS concertThe Rolling Stones SARS Benefit Concert – but I affectionately call it SARSstock as it seems the most apropos. The Rolling Stones donated 50 percent of the proceeds (an estimated $1.3 million) from their merchandise sales to two relief funds set up for the event, and $1 per ticket was also donated towards the funds. The net proceeds of official merchandise was also donated towards the relief funds.

Official crowd estimates put the number at 500,000 people attending the concert, but it felt (and looked) like far, far more than that. The unofficial crowd estimate was over a million people so I don’t know who to believe. Regardless, SARStock made the record books as the largest outdoor ticketed event in Canadian history, and one of the largest in North American history.

It was an all-Canadian event: vendors sold Alberta beef in support of the Canadian beef industry, which had recently suffered because of a case of mad cow disease. In gentle, polite, mannerly, well-behaved Canadian style, there were no major security incidents that day, which was amazing given the crowd size.

Co-hosted by Canada’s own Dan Ackroyd and Mike Bullard the band lineup was a mish-mash of Canadian (English & French), American and English talent, mostly retro acts but good retro acts if you know what I mean. The day’s lineup was:

The Have Love Will Travel Revue
Sam Roberts
Kathleen EdwardsPlaybill
La Chicane
The Tea Party
Blue Rodeo
Sass Jordan
The Flaming Lips
The Isley Brothers
Justin Timberlake
The Guess Who
Rush
AC/DC
The Rolling Stones

And all of this for only $21.50.

Each band (full concert setlist below) performed for about 15 to 20 minutes but stage/equipment teardown and setup for each act seemed to take forever. There was a lot of people scenery between acts, however, to keep anyone occupied. The Stones and AC/DC sets each took over 90 minutes, so you could certainly tell who the headliners of this gig were.

This was one of the best and most fun days of my life. My memories of that day are:

THE CROWD

In my entire life, I’ve never been in a crowd this large – that in itself was an experience. You can imagine the chaos of over a half-million people sprawled pell-mell on the grass with no organization whatsoever. If you had to leave your group for whatever reason, the only point of reference for your return were the numbered speaker stacks in the audience. If you failed to notice the number on your speaker stack there was little chance you’d ever find your group again. I remember it taking me over an hour just to get to the water and toilets – I missed Justin Timberlake’s set entirely (oh noooooo!) while I was gone, so I failed to witness firsthand the legendary water bottle-throwing incident (more on that, below).

Crowd shot

THE WEATHER

It was one of those rare summer days in Toronto where, instead of haze and humidity, the sky was absolutely clear and deep blue, not a cloud in sight, and it was HOT, very hot!

THE VIBE

Party. Absolute, sheer party. Period.

MY FRIENDS

I spent this day with my good friends Janice, Richard and his son Pete. What a great time we had. I’ll never forget Janice smuggling in her bottle of vodka. The security line we were in at the entrance gates was conducting frisk-searches, so Janice hopped over one line and – as luck would have it – they bypassed her for a frisk search. Happy days.

Here we are as we stepped out of Downsview subway station to make our way to the concert grounds:

our gang arriving at sarstock - july 30, 2003
Some of the Molson crew were taking Polaroid pictures of people arriving from the subway and we happened to get our mugs shot as we made our way to the concert grounds.

JUSTIN TIMBERLAKE

Justin Timberlake was booed by the crowd, who were anticipating the harder-rocking second half of the concert. Throughout his performance he had to dodge water bottles, toilet paper, muffins, and other items thrown by the audience. This was definitely a hard rock/classic rock crowd and Timberlake was the odd man out with his lightweight pop styling. He later returned to duet with Mick Jagger on Miss You; at that time the crowd was scolded by a visibly pissed off Keith Richards for their earlier treatment of Timberlake.

THE GUESS WHO

Guess Who
Randy Bachman, Garry Peterson, Burton Cummings

So awesome to see the original lineup back, if even for a precious few numbers. To me, the Guess Who is synonymous with growing up in the early 70s on the Canadian prairies – their music was everywhere and was entrenched in our culture. My older brother was a big influence in my memories and impressions of the Guess Who; he had a few of their earlier records and played them often around the house (strains of Albert Flasher, No Time and New Mother Nature drift through my mind when I think of those days).

THE FLAMING LIPS

The Flaming Lips invited artists from backstage to dance on stage with them dressed in fuzzy animal costumes. I, for one, was never a Flaming Lips fan… I just don’t get them…

AC/DC

I am not an AC/DC fan by any stretch of the imagination (OK, OK, I owned a copy of Back In Black as a teenager… who didn’t?), but they put on a show like the city has never seen; they absolutely stole the entire concert. AC/DC played a balls-to-the-wall (as they used to say in the ’70s) 70-minute set. Most of the crowd were there expressly to see ACDC & crowdAC/DC and didn’t really care so much about the previous acts. AC/DC were onstage just before the headlining Rolling Stones, but the AC/DC set absolutely blew away the crowd, driving them into a frenzy. I’ll never forget Angus Young dropping his pants and mooning the audience with an enormous Canadian maple leaf emblazoned on his shiny boxer shorts.

When the Stones finally did take the stage it was anticlimactic, almost bordering on disappointing, compared to the live bolts of lightning that was AC/DC. It was truly an odd thing: a huge amount of people began to leave during the Stones set (sorry, I can never get this thing of leaving in the middle of a performance to beat the traffic home – such an annoying Toronto thing).

Here’s a YouTube that shows the intensity of AC/DC as they played for the massive audience that day:

CLOSING OF CONCERT & THE JOURNEY HOME

As you can imagine, it takes quite a while for a crowd of half a million or more people to disperse. People were slowly drifting away halfway through the Stones’ performance but Richard and I stayed until the very bitter end to see the last cannon fired, so to speak. I believe it was somewhere around 1:00AM when we made our way out in the departing wave of humanity (Janice and Pete had left earlier in the evening, long before this mass exodus). It was absolutely impossible to get back on the subway at nearby Downsview station, so we walked all the way across Sheppard Avenue West from Downsview Park to Yonge Street where we somehow were able to get on the Yonge line with tens of thousands of other people heading home.

I’ll never forget that walk Richard and I took across Sheppard Avenue with so many of the other concertgoers who also decided to walk to Yonge Street. It was a crowd tens of thousands strong, and there was such a crazy party vibe in the air – absolute jubilation, with everyone still on a high from the heat and music of the day. When we did finally reach Sheppard station on the Yonge line it was jammed beyond comprehension, so we waited in queue for about another hour until we could stuff ourselves on one of the trains (the TTC had arranged to run all night that night in order to get everybody home). We finally got out of the packed subway at Yonge and Bloor and made our way home across Bloor Street East. All told, it was about 3:00AM when I stumbled through my front door. Luckily Richard and I both had the next day off work, which was a Friday.

SARS-Relief

CONCERT SETLIST

Here then, for posterity’s sake, is the setlist for the entire day. I’ve tried to be as complete as possible but there may be one or two songs missing here and there. I compiled the setlist from my own DVD copy of the concert and several miscellaneous Internet sources, so there could be some inconsistency. For the most part, though, the day’s music ran as follows:

The Have Love Will Travel Revue (Dan Ackroyd, Jim Belushi & supporting band)
Intro With Skybox Ballroom Pump

Sam Roberts
Don’t Walk Away Eileen
Brother Down
Where Have All The Good People Gone?

Kathleen Edwards
One More Song The Radio Won’t Like
Mercury
6 O’clock News

La Chicane
Viens Donc M’voir
Le Yâb De St. Nitouche
Le Fil

The Tea Party
Temptation
Sister Awake
Heaven Coming Down

Blue Rodeo
Trust Yourself
Hasn’t Hit Me Yet
Lost Together

Sass Jordan
High Road Easy
You Don’t Have To Remind Me
Brand New Day
Make You A Believer (with Jeff Healy)

The Flaming Lips
Race For The Prize
Do You Realize?

The Have Love Will Travel Revue
I’m Gonna Dig Myself a Hole

The Isley Brothers
Fight the Power
I Want to Take You Higher
It’s Your Thing
Put Yourself In My Place
Who’s That Lady
Summer Breeze
Shout

Justin Timberlake
Señorita
Cry Me a River

The Have Love Will Travel Revue
Time Won’t Let Me

The Guess Who
Hand Me Down World
No Sugar Tonight/New Mother Nature
Takin’ Care of Business (BTO cover)
American Woman
No Time

Rush
Tom Sawyer
Limelight
Dreamline
YYZ
Freewill
Closer to the Heart
Paint It Black
The Spirit Of Radio

AC/DC
Hell Ain’t a Bad Place to Be
Back in Black
Dirty Deeds Done Dirt Cheap
Thunderstruck
If You Want Blood (You’ve Got It)
Hells Bells
The Jack
T.N.T.
You Shook Me All Night Long
Whole Lotta Rosie
Let There Be Rock
Encore: Highway to Hell

Rolling Stones
Start Me Up
Brown Sugar
You Got Me Rocking
Tumbling Dice
Don’t Stop
Ruby Tuesday
You Can’t Always Get What You Want
It’s Only Rock ‘n’ Roll (But I Like It)
Miss You (with Justin Timberlake)
The Nearness of You (Keith Richards, lead vocals)
Happy (Keith Richards, lead vocals)
Sympathy for the Devil
Rock Me Baby (with Malcolm & Angus Young from AC/DC)
Honky Tonk Women
(I Can’t Get No) Satisfaction
Encore: Jumpin’ Jack Flash

A DVD of the day’s concert was released later in 2003, although it has omitted quite a few of the original tracks. I assume this is to fit the concert on a 2-disc DVD release. That’s a pity, as I’d like to relive the concert as a whole, regardless of how many physical discs are required. The DVD is probably no longer produced and marketed, so it remains a keepsake item for me.

Toronto Rocks DVD cover
SARSTock Concert DVD

There has never been a crowd and concert like this in Toronto, before or since. It was truly a unique experience and I’m so very glad I was a part of it. I’ll never forget that hot, cloudless, wonderful day in Downsview Park.

My “B-List” Songs

I hesitate to call these tracks the “B-list” of my favourite music, as the term is slightly derogatory. These are all special songs to me and remain some of my favourites, but they don’t quite merit a place on my Desert Island Songs list. Like my other lists, this one remains a work in progress.

Here then, is more of my life’s soundtrack:

Moments Of Pleasure – Kate Bush
Only You – Yaz
Boy – Book Of Love
Il Mio Cuore Va – Sarah Brightman
Minuet in G Major – J.S. Bach (comp.)
Suddenly Last Summer – The Motels
I Want You Back – The Jackson 5
Safe And Sound – Capital Cities
Lady Marmalade – Labelle
Nothing But A Heartache – Freemasons (feat. Sylvia Mason-James)
The Sailor Song – Autoheart
Hello In There – Bette Midler
Something Just Like This – The Chainsmokers (with Coldplay)
Unfinished Business – Boy George
The Last Song – Elton John
The Power Of Love – Frankie Goes To Hollywood
No Promises – Icehouse
Breaking Us In Two – Joe Jackson
Shadow Man – David Bowie
Pavane – Gabriel Fauré (comp.)
It Couldn’t Happen Here – Pet Shop Boys
Man On The Moon – R.E.M.
Crying Out Loud For Love – The Box
Canon In D – J. Pachelbel (comp.)
Life On Mars? – David Bowie
Half-Light (Day Version) – George Fitzgerald feat. Tracey Thorn
Every Bit Of Love – Ken Tobias
Be My Number Two – Joe Jackson
Old Money – Lana Del Rey
Caroline – Concrete Blonde

George FitzGerald’s “Half-Light (Day Version)”, feat. Tracey Thorn

A new artist I’ve just started to follow is George FitzGerald. At the moment I don’t know too much about Mr. FitzGerald other than he’s an English Dance/Electronic musician, producer and DJ. Initially he resided in Berlin, Germany to cut his teeth in the electronic music scene there but has since returned to England. Electronic music critics are heralding him as the up and coming one to watch.

Apparently George has been active in the electronic music scene since the early 2010s and has released several EPs and extended mixes during that time. It looks like he’s also been on tour through North America lately and did a Toronto gig in early October this year. George FitzGerald released his first full-length album (Fading Love) in 2015. He also has albums Update and All That Must Be under his belt. His latest album is All That George-FitzGeraldMust Be (Remixes), and this is the one that grabbed my attention.

I stumbled across George’s single Half-Light (Day Version) and was instantly blown away by the texture and dreamy, hypnotic quality of his sound. Leading me to this George FitzGerald track was the fact that vocalist, musician and personal Goddess Tracey Thorn is featured on the vocals. Where Tracey goes I follow willingly – she’s an amazingly talented woman with an incredible, heavenly, haunting voice.  Ah, those lovely soaring notes of Miss Tracey… always a treat:

Half-Light (Day Version), feat. Tracey Thorn

If you’re not familiar with Tracey Thorn, she was one half of the duo Everything But The Girl. Along with her husband Ben Watt they had enormous success as singers, musicians and songwriters in Everything But The Girl, first in Europe then in North tracey-thorn-by-edward-bishop-aug-2012-ref_mg_5212_hiAmerica, from the mid-1980s to 2000. It was their monster hit Missing that finally broke them in the North American mainstream market and propelled them forward over here; great commercial success followed for them after that hit. Since disbanding after an impressive group career Ben and Tracey have each gone on to many successful solo projects. Ben produces other groups in the studio and has a successful career as a musician, singer, songwriter, author, DJ and radio presenter. Tracey has released several excellent solo albums and written an autobiography called Bedsit Disco Queen: How I Grew Up & Tried To Be A Pop Star (love that title). In 2015 she published her second book, Naked at the Albert Hall: The Inside Story of Singing, and her third book, Another Planet: A Teenager In Suburbia is scheduled for release on February 7, 2019, followed by a UK book release tour. Tracey also writes a regular column for the New Statesman, which is a British political and cultural magazine. Tracey took a few years of respite from the music scene in the early 2000s, during which time she and Ben had three children. This is one busy woman!

I hope to do a future post on Tracey Thorn & Ben Watt, aka Everything But The Girl, so stay tuned for that.

Beethoven, Brahms, Schubert, Strauss and… Falco

In September 2015 we journeyed to Vienna, Austria. That city is simply too amazing to describe in this short space, but I’d like to share a few shots I took when we toured Der Wiener Zentralfriedhof (or, in English, The Vienna Central Cemetery).

It might be somewhat crass to call this part of the cemetery the “famous dead composer” section, but… well, it is:

Beethoven's Grave at The Zentralfriedhof
Beethoven’s grave
Brahms's Grave at The Zentralfriedhof
Brahms’s grave
Franz Schubert's Grave at The Zentralfriedhof
The grave of Franz Schubert
Johann Strauss's Grave at The Zentralfriedhof
Johann Strauss’s grave

BUT…

The grave I really wanted to visit was none other than that of the beloved Falco. Yes, Vienna’s Central Cemetery is the final resting place of that famous Austrian pop star Falco, real name Hans Holzel. His grave marker is kind of hard to see in these shots as it’s made of curved, clear glass with etchings:

Falco's Grave at the ZentralfriedhofFalco's Grave at the ZentralfriedhofFalco's Grave at the ZentralfriedhofFalco's Grave at the Zentralfriedhof

Thank you for the beautiful music, gentlemen.

Good Songs Covered By Extremely Inappropriate Artists

Culled from my own music collection, Spotify and Rolling Stone “worst of” lists, here is my compilation of songs that have been covered by a completely inappropriate artist or are simply a bad cover of the song.

Some of these covers are funny, some are marginally bearable, some are nauseating and some are so abjectly, abysmally awful they make you lose your will to live.

What were these people thinking??!!


Life On Mars? – Barbra Streisand
Help! – Diana Ross & The Supremes
I Love Rock ‘n Roll – Britney Spears
Might Quinn (Quinn The Eskimo) – Julie London
Happy Together – Mel Torme
When A Man Loves A Woman – Michael Bolton
A Hard Day’s Night – Peggy Lee
Respect Yourself – Bruce Willis
Lucy In The Sky With Diamonds – William Shatner
American Pie – Madonna
Baby I Love Your Way/Freebird – Will To Power
Mrs. Robinson – Guy Lombardo
Funky Town – Pseudo Echo
I Am The Walrus – Jim Carrey
All By Myself – Celine Dion
Sugar, Sugar – Kurt Russell
Da Ya Think I’m Sexy? – Tiny Tim
It’s My Life – No Doubt
Love Grows (Where My Rosemary Goes) – Wayne Newton
Stairway to Heaven – Dolly Parton
Ring of Fire – Olivia Newton John
Piece of My Heart – Faith Hill
Big Yellow Taxi – Counting Crows & Vanessa Carlton
Everyday People – Peggy Lee
Live and Let Die – Guns N’ Roses
Cat’s In The Cradle – Ugly Kid Joe
More Than This – 10,000 Maniacs

Sadly, this list has a lot of growth potential…

“…The Serious Moonlight”

What a night…

Without a doubt, the best live concert I’ve ever attended in my entire life was David Bowie’s Serious Moonlight, here in Toronto on a hot, humid September night waaaaaay back in 1983 at the good old CNE Stadium, (remember that place?). Although I also went to his Glass Spider tour in 1987, it didn’t quite have the electrical spark that Serious Moonlight did. There was just something indescribable about that night, that performer, and the super-charged audience that sent Serious Moonlight over the edge and into Toronto concert history (folklore, even?).

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For some reason or other, the memories of that concert came into my mind the other day and I thought – hey! – what a great post this would make for the blog. I won’t, though, attempt to write a review for the Serious Moonlight concert; rather, I’m going to simply reminisce about it. All these years later I still cannot put into words what that concert meant to me; the intensity of the crowd, concert and performer all fused together to create a magical night.

I went digging in my memorabilia and found the concert program, carefully and lovingly preserved, from that night lo these many years ago. As is my way, I had meticulously scotch-taped my original ticket to the inside front cover of the program for safekeeping. The critical details of the ticket read:

David Bowie – The Serious Moonlight Tour
September 3, 1983, 8:30PM
CNE Stadium
General Admission (floors), $22.50

Wow! – “General Admission” seating! Who could ever forget that mad dash across the playing field to the front of the stage as soon as the gates would swing open. I believe “General Admission” seating has long been abolished in concert-going as, to be honest, it was kind of dangerous (it’s that old fear of being crushed to death in the rush of 10,000 rabid fans all trying to reach the front of the stage at the same time).

There were two Serious Moonlight shows in Toronto that year – Saturday, September 3rd and Sunday, September 4th – and they were both sold out with 60,000 fans in attendance each night. The opening act was Rough Trade, and I remember Carole Pope and Kevan Staples absolutely blowing the crowd away with their performance. I still remember how dynamic they were that night, with Carole Pope strategically grabbing and working her crotch during that key lyrical moment in Highschool Confidential (if you’re Canadian and were even slightly plugged in to music during the late 70s/early 80s, you know exactly what I’m talking about here).

When I went searching on the Internet for a little more info on the Serious Moonlight concert tour in Toronto, I was shocked at how much these two shows have been discussed and documented over the years by other Torontonians. Several bloggers I found in my search have documented extremely in-depth reviews and impressions of those two nights. Apparently the show on the following night (September 4, 1983) had a surprise appearance and performance by Mick Ronson, Bowie’s longstanding collaborator from the early days. By all accounts I’ve read, the crowd went absolutely ballistic when Ronson came onstage and joined the band for some numbers.

Crowd shot

In her autobiography Anti Diva, Rough Trade’s Carole Pope talks about their opening for Bowie at this concert:

When Bowie hit the stage, I stood riveted in the wings… David stood at the lip of the stage singing ‘Modern Love’ shaking one leg like Elvis. The show was an amalgamation of music and theatre. While performing ‘Cracked Actor’, Bowie was seated in a director’s chair, wearing dark glasses; like a new wave Hamlet, he sang a soliloquy to a skull… Bowie grossed $2.3 million from that show.

Bowie with skull

It has been 35 years since that concert so only parts of it remain sticking to my brain cells. I recall, though, certain “snapshots” and short segments of that incredible powerhouse show. I remember, quite vividly, Bowie hovering over the crowd on an elevated cherry picker machine singing Space Oddity, and I remember the Cracked Actor segment (pic above) with Bowie singing to a skull. He also did a great job on Velvet Underground’s White Light/White Heat, and tore the place up when he kicked into Rebel Rebel. It took two encores before the crowd would let him leave the stage for the night.

This is the concert setlist for the Serious Moonlight concert tour. It was the same setlist for both nights of the Toronto shows, as well as for other Canadian dates:

Look Back in Anger
Heroes
What in the World
Golden Years
Fashion
Let’s Dance
Breaking Glass
Life on Mars?
Sorrow
Cat People (Putting Out Fire)
China Girl
Scary Monsters (And Super Creeps)
Rebel Rebel
White Light/White Heat
Station to Station
Cracked Actor
Ashes to Ashes
Space Oddity
Young Americans
Fame
TVC 15

Encore 1:
Star
Stay
The Jean Genie

Encore 2:
Modern Love

The performers that night were:

David Bowie – lead vocals, guitar, saxophone
Earl Slick – guitar
Carlos Alomar – guitar, backing vocals, music director
Carmine Rojas – bass guitar
Tony Thompson – drums, percussion
Dave Lebolt – keyboards, synthesizers
Steve Elson – saxophones
Stan Harrison – saxophones, woodwinds
Lenny Pickett – saxophones, woodwinds
George Simms – backing vocals
Frank Simms – backing vocals

David Bowie On Serious Moonlight Tour

Here is the original Toronto Star article and concert review by Peter Goddard (who, if memory serves, covered just about every Toronto concert of any importance in the 80s and beyond):

60,000 berserk over Bowie

60,000 go wild for Bowie - Peter Goddard concert review

Sadly, Mr. Bowie left us a couple of years ago, but what a legacy he left behind! It is staggering. Over the course of 40 years, possibly more, he changed music and pop culture as we know it.

I am so grateful I was there in that 60,000-strong audience on that hot, humid night in 1983-Toronto. Years from now, when I’m sitting in my rocking chair swaddled in an electric blanket or some such heat-producing device, I hope I will still retain some of the special memories of that incredible night.

Desert Island Songs

Without music, life would be a mistake.
– Friedrich Nietzsche, Twilight of the Idols

What is a desert island song?

A desert island song is a special song. It makes you feel the sheer joy of living. It brings you to tears of joy or heartache with a minute of the start, sending goosebumps to your arms.

A desert island song infuses you with a feeling of power, energy and well-being. It transports you intensely and succinctly back to a time and place in your life that was moving, important or meaningful.

A desert island song makes you feel totally centred and existing in the moment; it gives you an overwhelming feeling that all is well.

Music has always been my refuge – it’s there when there’s nothing else. Through all the difficult times and crap that life can deal out, music has always been my sanctuary and strength.

The following songs are part of my life’s soundtrack. If I were given advance notice I were to be marooned on a desert island, this is the music I would bring with me:

Perfect Day – Lou Reed

The Ghost In You – Psychedelic Furs

Golden Brown – The Stranglers

Here Comes That Rainy Day Feeling Again – The Fortunes

True To Life – Roxy Music

Whistle Down The Wind – Nick Heyward

Reasons For Waiting – Jethro Tull

I Want To Wake Up (Breakdown Mix) – Pet Shop Boys

Don’t Leave Me This Way – Thelma Houston

Lovers In A Dangerous Time – Bruce Cockburn (I’ll accept the Barenaked Ladies version in a pinch)

This Time I Know It’s For Real – Donna Summer

Never Can Say Goodbye – Jimmy Somerville

I Will Go With You (Con Te Partiro) – Donna Summer

Nightswimming – R.E.M.

Sukiyaki – Kyu Sakamoto

Adagio For Strings – Samuel Barber (comp.)

Only You – Virgin

Getting Away With It – Electronic

Under The Milky Way – The Church

Only The Lonely – The Motels

Cry For Help – Rick Astley

When Love Takes Over – David Guetta (feat. Kelly Rowland)

Strong – London Grammar

King’s Cross – Pet Shop Boys

Born This Way – Lady Gaga

Rescue Me – Fontella Bass

Downtown – Petula Clark

Heroes – Icehouse/Iva Davies

Crazy (Midnight Mix) – Icehouse

Iva Davies

Passing through my bedroom the other day (where SomaFM’s Underground 80s channel is frequently playing), I heard Icehouse’s Electric Blue. This caused me – inescapably – to think of Iva Davies.

Iva Davies (born Ivor Arthur Davies) is an Australian singer, songwriter, composer, musician and record producer. Most importantly (in my world at least), Iva is known for his distinctive singing voice… Oh God – that voice, that incredible, beautiful, emotive voice…

If you’re not familiar with Iva Davies, just take a listen to any of the old Icehouse albums and singles. There, you will find that remarkable voice, haunting you. His music career spans more than 40 years, and he’s also made music for TV series and films, most recently composing the soundtrack for the film Master and Commander: The Far Side of the World. Some of his most recent, and best, tracks are on the soundtrack album The Berlin Tapes with Icehouse.

Icehouse Videos

Check out some of Icehouse’s videos – once you get past the bad mullets and 80s fashions and focus on the voice, these are great songs:

The Berlin Tapes

If you’ve made it this far, you must listen to Iva’s version of David Bowie’s Heroes on The Berlin Tapes album to fully appreciate this man’s voice. Goosebumps are guaranteed. This is my absolute favourite track of Iva Davies/Icehouse and is on my list of Desert Island Songs.

Being Boring

One of my absolute favourite songs from the Pet Shop Boys. It’s a wistful look back at times past and the friends and lovers who have passed through our lives. There’s a lot going on in these lyrics; this is pop music at its most brilliant:

 

I came across a cache of old photos
and invitations to teenage parties
“Dress in white” one said with quotations
from someone’s wife, a famous writer
in the nineteen-twenties
When you’re young you find inspiration
in anyone who’s ever gone
and opened up a closing door
She said we were never feeling bored

’cause we were never being boring
We had too much time to find for ourselves
and we were never being boring
We dressed up and fought then thought make amends
And we were never holding back or worried that
time would come to an end

When I went I left from the station
with a haversack and some trepidation
Someone said if you’re not careful
you’ll have nothing left and nothing to care for
in the nineteen-seventies
But I sat back and looking forward
my shoes were high and I had scored
I’d bolted through a closing door
and I would never find myself feeling bored

’cause we were never being boring
We had too much time to find for ourselves
and we were never being boring
We dressed up and fought then thought make amends
And we were never holding back or worried that
time would come to an end
We were always hoping that, looking back
you could always rely on a friend

Now I sit with different faces
in rented rooms and foreign places
All the people I was kissing
some are here and some are missing
in the nineteen-nineties
I never dreamt that I would get to be
the creature that I always meant to be
but I thought in spite of dreams
you’d be sitting somewhere here with me

’cause we were never being boring
We had too much time to find for ourselves
and we were never being boring
We dressed up and fought then thought make amends
And we were never holding back or worried that
time would come to an end
We were always hoping that, looking back
you could always rely on a friend

– Neil Tennant, Chris Lowe